Entrepreneurial Films

One of the main themes of the film is the American Dream and the concept of success. Through Kroc's character, the film explores the relentless pursuit of ambition and the lengths to which individuals will go to achieve their goals. Kroc's journey is portrayed as a classic rags-to-riches story, showcasing his determination, drive, and entrepreneurial spirit.

Critics and viewers alike have praised Michael Keaton's performance as Ray Kroc, highlighting his ability to capture the complexity of the character. Keaton portrays Kroc as a charismatic and cunning businessman who is both captivating and morally ambiguous. His portrayal adds depth to the character, showing Kroc's flaws and contradictions alongside his ambition and vision.

Moreover, "The Founder" sheds light on the history and legacy of McDonald's, offering insights into the origins of the fast-food industry and the innovative business model that revolutionized it. The film delves into the partnership between Kroc and the McDonald brothers, Dick and Mac, and explores the conflicts and tensions that arose as Kroc sought to expand the business.

The film also touches on themes of capitalism and corporate greed, portraying Kroc as a ruthless and opportunistic businessman willing to exploit others for his own gain. As Kroc takes control of the McDonald's brand and pushes out the original owners, the film raises questions about the ethics of business practices and the consequences of unchecked ambition.

However, some critics have pointed out that the film may oversimplify or romanticize certain aspects of Kroc's story. While Kroc is depicted as a visionary entrepreneur, the film glosses over the controversies and criticisms surrounding his business practices, including allegations of exploitation and mistreatment of franchise owners.

Overall, "The Founder" offers a compelling and engaging portrayal of Ray Kroc and the rise of McDonald's as a cultural phenomenon. Through its exploration of ambition, innovation, and the pursuit of success, the film provides valuable insights into the complexities of entrepreneurship and the American Dream. Whether viewers see Kroc as a hero or a villain, the film sparks thought-provoking discussions about business ethics, corporate culture, and the price of achievement.

At its core, "The Playlist" revolves around the concept of a mysterious playlist that mysteriously appears on people's phones, containing songs that seem to reflect and influence their lives in unexpected ways. Each episode focuses on a different character who discovers the playlist and explores how the music intersects with their personal struggles, relationships, and desires.

One of the most praised aspects of the series is its eclectic soundtrack, featuring a diverse range of songs spanning multiple genres and eras. The music serves as a central theme, driving the narrative forward and providing emotional resonance to the characters' experiences. Viewers have noted the effectiveness of the soundtrack in evoking nostalgia, setting the tone for each episode, and enhancing the overall viewing experience.

Additionally, "The Playlist" has been commended for its exploration of universal themes such as love, loss, redemption, and self-discovery. Each episode delves into the complexities of human emotions and relationships, offering poignant insights into the human condition. The characters are relatable and well-developed, with their struggles and triumphs resonating with viewers on a deeply personal level.

However, some critics have raised concerns about the series' pacing and narrative structure. They argue that the episodic format, with each episode focusing on a different character, can lead to uneven storytelling and a lack of cohesion between episodes. Additionally, some viewers have criticized certain plotlines for feeling contrived or melodramatic, detracting from the authenticity of the series.

Despite these criticisms, "The Playlist" offers a refreshing and thought-provoking exploration of the ways in which music influences our lives. Its innovative concept, compelling characters, and evocative soundtrack make it a compelling watch for music lovers and fans of character-driven dramas alike. Whether it's worth watching ultimately depends on one's appreciation for the intersection of music and storytelling and their tolerance for narrative experimentation.

The series follows the journey of Elizabeth Holmes, played by Amanda Seyfried, as she transforms Theranos from a promising startup into a multibillion-dollar company valued on the promise of revolutionizing the healthcare industry with a breakthrough blood-testing technology. However, as the company gains momentum, cracks begin to emerge in Holmes' facade, leading to the eventual unraveling of Theranos and Holmes' downfall.

Many viewers lauded Seyfried's performance as Holmes, capturing her charismatic charm and unwavering ambition while also portraying the darker aspects of her personality. Seyfried's nuanced portrayal humanizes Holmes, offering insight into the complexities of her character and the motivations driving her actions. The supporting cast, including Naveen Andrews as Theranos COO Ramesh "Sunny" Balwani and Laurie Metcalf as Phyllis Gardner, also received praise for their compelling performances.

However, some critics argued that the series failed to delve deep enough into the complexities of the Theranos scandal, opting for a more sensationalized portrayal of the events. They felt that the series glossed over important details and nuances, oversimplifying the story and failing to provide a comprehensive understanding of the motivations and actions of the key players involved.

Despite these criticisms, "The Dropout" offers a gripping portrayal of one of the most captivating corporate scandals of the 21st century. It sheds light on the dark side of Silicon Valley's culture of innovation and entrepreneurship, exploring themes of ambition, deceit, and the pursuit of success at any cost. The series serves as a cautionary tale for aspiring entrepreneurs and investors alike, highlighting the dangers of unchecked ambition and the importance of ethical business practices.

Overall, opinions on "The Dropout" vary, with some viewers praising its compelling performances and gripping storytelling, while others criticize its sensationalized portrayal of the Theranos scandal. Whether it's worth watching ultimately depends on one's interest in the subject matter and tolerance for fictionalized accounts of true events.

The series unfolds the dramatic story of Uber's ascent from a disruptive startup to a global tech giant under the leadership of its controversial founder and CEO, Travis Kalanick. It explores the cutthroat corporate culture, relentless ambition, and ethical dilemmas that characterized Uber's journey to dominance in the transportation industry.

Many viewers appreciated the stellar performances of the cast, particularly Joseph Gordon-Levitt's portrayal of Travis Kalanick. Gordon-Levitt effectively captures Kalanick's intense drive and uncompromising leadership style, bringing depth to the character despite the series' shortcomings. The supporting cast, including Kyle Chandler as venture capitalist Bill Gurley and Uma Thurman as former U.S. Attorney General Eric Holder, also received praise for their compelling portrayals of key figures in Uber's story.

However, some critics argued that the series failed to provide a balanced portrayal of the events and characters involved in Uber's rise. They felt that the narrative leaned too heavily towards sensationalism and vilification of Kalanick, overlooking the complexities of the issues at hand. Additionally, the series' rapid pacing and selective focus on certain aspects of Uber's history left some viewers feeling that important nuances were overlooked.

Despite its flaws, "Super Pumped" offers a captivating glimpse into the cutthroat world of Silicon Valley startups and the ethical dilemmas inherent in disruptive innovation. It raises thought-provoking questions about the intersection of technology, business, and ethics, making it a compelling watch for those interested in the inner workings of the tech industry.

Overall, opinions on "Super Pumped: The Battle for Uber" vary, with some viewers appreciating its dramatic storytelling and stellar performances, while others criticize its selective portrayal of real-life events. Whether it's worth watching ultimately depends on one's interest in the subject matter and tolerance for fictionalized accounts of historical events.

The series delves into the captivating story of WeWork's meteoric rise from a promising startup to a multibillion-dollar company, fueled by Neumann's vision and charisma. However, as the series unfolds, it reveals the darker side of WeWork's culture of excess and Neumann's erratic behavior, ultimately leading to the company's downfall.

Some viewers found the performances of Jared Leto as Adam Neumann and Anne Hathaway as his wife Rebekah compelling, capturing the complex personalities behind the real-life figures. Leto's portrayal of Neumann's magnetic personality and ruthless ambition was particularly praised, adding depth to the character despite the series' shortcomings.

However, others criticized the series for its lack of depth in exploring the intricacies of WeWork's business model and the broader socioeconomic factors that contributed to its rise and fall. Instead, the focus seemed to be more on sensationalizing the personal lives of Neumann and other key figures, leaving the audience wanting more substance.

Despite its flaws, "WeCrashed" offers a fascinating glimpse into the world of Silicon Valley startups and the culture of excess that permeated WeWork's rise. It serves as a cautionary tale about the dangers of unchecked ambition and the consequences of prioritizing growth at any cost.

Overall, opinions on "WeCrashed" vary, with some viewers enjoying its portrayal of the WeWork saga and others feeling that it falls short of fully capturing the complexities of the story. Whether it's worth watching ultimately depends on one's interest in the subject matter and tolerance for fictionalized accounts of real-life events.

The series takes a slow approach to character-building, leading viewers to initially form certain impressions that evolve as the documentary progresses. While it may not satisfy those seeking a high-action thriller, it offers a nuanced exploration of Ghosn's story, leaving room for speculation about whether he is a victim or a villain.

Corporate machinations and intrigues can be challenging to portray captivatingly on screen. "The Big Short" succeeded thanks to technical explanations provided by Hollywood celebrities, but Ghosn's story required a deeper dive into his personal life to save it from feeling dry. Making such maneuvers engaging is a tough task, even with a story as complex as that of former Nissan-Renault CEO Carlos Ghosn, who was arrested in Japan in 2018 on suspicion of financial misconduct, then escaped the country in 2019, against all odds.

In "Wanted: The Escape of Carlos Ghosn," the series aims to find a balance. It tells the story of Ghosn, the CEO who slashed expenses and made money, changing the fate of Renault and Nissan—until his arrest in Japan in 2018 on suspicion of "underreporting compensation" and "misappropriation of company assets," which led to his fall from grace. However, this is just one layer of what turns out to be a rich and multifaceted saga.

The series unfolds slowly, taking its time with details and painting a picture of how globalization often overlooks cultural differences, whether it's the French society's view on acceptable CEO compensation or the Japanese customs and nuances of workforce reductions. The 2008 financial crash led Ghosn to halve his salary, but perhaps also set events in motion that ultimately led to his subsequent arrest.

Featuring a diverse array of interviewees, including former ministers of France and Japan, journalists covering Ghosn, and former colleagues, the series presents multiple perspectives. However, at its core is Ghosn himself, who provides detailed interviews that are elegantly woven into the narrative. Despite some loose ends, the series offers a thoughtful approach to unraveling the complexities of power, money, and greed, rewarding those willing to invest their attention with a compelling story.

Based on Zach Bissonnette's 2015 book "The Great Beanie Baby Bubble," the film unfolds the tale of Ty Warner, who partners with Robbie, an unsatisfied store employee, to start a business manufacturing stuffed toys. A decade later, their successful company, modestly named "Ty," launches the Beanie Babies line, making Warner a billionaire but tarnishing his character.

Much like Ty Warner dissecting plush kittens ("I'm not a psychopath, it's for business," he clarifies to his neighbor), the filmmakers dissect success stories from their youth with nostalgia, as seen in recent films like "Tetris," "Air: The Big Jump," and "Who Killed BlackBerry." "The Beanie Bubble" focuses on the business phenomenon of the late 1990s – a collective obsession with small stuffed toys filled with plastic pellets. Beanie Babies, aided by the internet's spread, became objects of compulsive collecting and speculation for several years.

The film, directed by nepo baby Christine Gore, daughter of former U.S. Vice President Albert Gore, and her husband Damian Kulash, leader of the rock band OK Go known for their viral low-budget music videos, presents Warner's story through three women whom he mistreated. The first is Robbie, his business partner. The second is Sheila, a single mother of two daughters who briefly dated Warner, with the daughters allegedly helping him come up with Beanie Babies. Lastly, Maya, who starts working at Ty Inc. at 17 and quickly becomes a marketing guru, manipulating the newborn internet.

These three storylines develop simultaneously, intersecting closer to the end, with the action constantly jumping between the 1980s and various stages of the 1990s – making it challenging to track where the narrative stands. However, the real problem is that it's not very engaging. None of the female stories evolve into full-fledged dramas (Warner either didn't promote someone, distanced himself, or cheated on someone), but this parade of grievances fails to evoke much emotion. Warner's character remains largely enigmatic, as we only see him through the eyes of the heroines, and the film hints at childhood traumas and complexes without exploring them thoroughly. Consequently, Warner feels like two separate personalities that never intersect, portrayed inconsistently from scene to scene.

The film lacks the visual inventiveness demonstrated by Kulash, the music video maker, and the originality one would expect from Gore, an author of several novels. Instead, "The Beanie Bubble" relies heavily on genre clichés. Its only saving grace is perhaps the nostalgic charm, as characters explain eBay to each other, and Bill Clinton occasionally appears in the background, serving as the boss of the protagonist's filmmaker father. The hype surrounding plush toys is somewhat mesmerizing and instructive, but the main lesson is that even a good story means nothing without the ability to tell it interestingly.

The plot revolves around Nike shoe salesman Sonny Vaccaro, played by Matt Damon, who managed to secure a partnership by proposing to Jordan to create a namesake brand and develop a line of sneakers specifically for him.

From the moment it was announced, "Air" promised to be a great film. Firstly, it marks Ben Affleck's directorial comeback after his stellar films like "The Town" and "Argo." Critics have also been singing praises for "Air," predicting its active participation in the upcoming awards season. Therefore, for me, Affleck's drama, based on real events, became one of the most anticipated films of the year.

Set in the 1980s, Nike is struggling, overshadowed by competitors like Adidas and Converse. Sonny Vaccaro, an enthusiast and the company's dark horse, sees an opportunity to make Nike number one in the sneaker market by signing then-rising star Michael Jordan. His plan involves outmaneuvering competitors and convincing the boss, along with other colleagues, of the possibility of signing this groundbreaking deal, which later became the most significant collaboration between a brand and a player, leading to Michael Jordan's status as the greatest basketball player of all time.

Ben Affleck directed, produced, and even starred in this film, and he excelled in all aspects, extracting the maximum from the story of a single deal.

The direction is superb – something one would expect from Affleck. He masterfully tells a classic and motivational story of an underdog rising to success. It's a textbook biopic, complete with historical background, the characters' subsequent destinies revealed during the credits, and many clichés, but with Affleck's soul poured into every scene.

The film feels like a blast from the past: simple and straightforward yet not primitive. It doesn't attempt to be groundbreaking or delve into complex or socially significant themes. Instead, it works as it should – delivering emotions and inspiration, leaving viewers with overwhelmingly positive feelings.

In its simplicity lies the elegance and sincerity of the film. "Air" is simply heartfelt and feel-good cinema, capable of motivating and uplifting.

With its warmth, sincerity, and uplifting message, the film bears a striking resemblance to the cult classic "Jerry Maguire" from the 90s starring Tom Cruise, a film I adore, hence my enthusiasm for "Air."

Special mention goes to the film's ensemble cast. Ben Affleck stands out in his role as the slightly eccentric and colorful Nike boss. He steals the show, and his character is the most memorable, capable of bringing a smile to every scene. It was also pleasant to see one of my childhood actors, Chris Tucker, who may not have been in the spotlight lately, but "Air" could change that – Chris delivered a very vivid and charismatic performance.

I also enjoyed Chris Messina's portrayal, who may not be as famous as his co-stars but certainly holds his own in terms of acting. His role as Michael Jordan's agent is impeccable.

As for Matt Damon, Viola Davis, and Jason Bateman, their strong performances go without saying. They simply don't know how to give anything less.

As for the film's chances in the awards race, they are enormous. Affleck could very likely be nominated for directing and a supporting role. Seeing Tucker at the awards would also be delightful. The screenplay is also solid and deserves recognition. And, of course, "Air" rightfully deserves its place among the top ten contenders for the best film of the year. In my opinion, it would be entirely fair, as I am already prepared to include "Air" in the list of the best films of the year, thanks to its heartfelt, straightforward, and effective storytelling, which feels like a source of strength.

Thank you, Ben Affleck!

Set during the pandemic, everyone is grappling with their own challenges, from loss of loved ones to unemployment and financial strain. GameStop, a video game retailer, is facing dire straits as digital downloads overshadow physical sales. As GameStop's stock plummets, purchasing shares seems nonsensical to many, but not to Keith Gill, known as "Roaring Kitty" – an ordinary guy in a quirky cat-themed shirt who hosts a stock market stream. He manages to create a butterfly effect, causing GameStop's shares to soar, leading to profits for ordinary people and losses for Wall Street sharks.

Real-life stories often come with inconsistencies and unanswered questions. How does the pandemic relate to market manipulation on Wall Street? How are all these characters connected? What happened to the protagonist? The answers remain elusive; things just happened to unfold that way. Moreover, any underdog story – where a loser triumphs against odds and powerful adversaries, dating back to David and Goliath – often results from survivorship bias. We don't hear about those who invested in cheap stocks and lost everything; instead, we follow the story of a guy who invested in cheap stocks and convinced others to make them valuable.

Explaining the technical intricacies of stock trading can be tedious. Even when characters explain shorts and squeezes to each other (and to us, the audience), we're not just watching stock prices; we're witnessing the stories of ordinary people – nurses, couriers, students – who grew tired of losing. Eventually, they decide to take a risk, starting with what little they have left and later with newfound wealth. It's a compelling narrative about trust, anger, social injustice, and the small hope that there might be a celebration on your street at least once in your life.

Paul Dano delivers a standout performance, portraying a believable nerd-turned-leader who, despite his shyness, becomes a symbol of resistance – akin to a nonviolent Joker, wielding persistence and belief in principles as weapons. The film boasts an ensemble cast, including Clancy Brown, Sebastian Stan, and Dane DeHaan, who shine even in minor roles. Together, they create a surreal yet realistic vaudeville amidst medical masks, Zoom conferences, and dwindling hopes – depicting how loners united and spoke up. In the end, we're all roaring kittens in some way. And if no one hears our roar yet, it doesn't mean we're silent.